It's no secret that the first album by the Scorpions, Lonesome Crow, is widely regarded as a classic 70's heavy psych record, quite different than their later, more famous eighties doofus rock. For some reason (perhaps it's that awful cover) this follow-up gets much less attention, despite its weird exuberance and catchy forward momentum. Despite the loss of prodigy guitarist Michael Shencker to UFO there's a lot of interesting stuff going on; the Scorps still hadn't settled fully into the hard rock fondue that would begin to solidify on their next record. I really could dissect this one at length but alas I must exit the Swamp forthwith, so strap some planes to your feet, put on your toaster helmet, and
Fly People Fly
Fly People Fly
Uli Jon owns Michael. Uli Jon owns practically any guitarist you care to mention.
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