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Nonetheless, no post-punk this; instead we have dirge-like acoustic jangling stabbed through with sinister two-note electrical stings from Howard, with each man trading off vocals. Not many lovey-dovey duets here, sadly. The atmosphere of dread is palpable, with much pregnant weight lurking between the sustained notes, and steadily-rising maddening percussion and ambient racket on certain tracks. Chilling.
Hello Wolf (Little Baby)
Hi there, any chance of a re-up of Nikki & Rowland at all?
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