Proving the old adage about the weirdest of metal coming out of Italy, Abgott's complex, mathy black metal is thoroughly constructed and precise. There's hints of that Meshugga-derived irregular chug, Enslaved's epic sweep, and the sheer nuttiness of early Voivod, combined with a Lovecraftian lyrical bent. For all the clinicism of the playing, there's still a nasty heft here, a mad whirl of rage usually absent from today's technical death metal scene. Abgott are no theoreticians or hipster music school dropouts - this is the real deal, and it is scary.
Las Vegas Lady (1975)
1 day ago